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Flashed on Glenwood: The Cost of Doing the Right Thing in Boulder

Posted on June 23, 2025 by Alan O’Hashi, Whole Brain Thinker
2

After a few days away in Colorado Springs for a documentary shoot, I returned home to Boulder and did what any responsible adult would do: restock the fridge.

My first stop? Safeway, or so I thought.

I’d forgotten the workers were on strike. A wall of determined picketers waved me off like I was a getaway driver in a heist movie. Not wanting to cross the line (morally or literally), I nodded respectfully and bailed.

Plan B? King Soopers. I rolled over to Glenwood Avenue, plotting my snack haul, when FLASH! I was blinded by the white light of shame.

Not a UFOnaut from a galaxy far, far, away.

Not enlightenment.

Not paparazzi.

Boulder’s photo radar caught me doing 31 in a 20 mph zone.

That’s Boulder for you … so scenic, so sneaky.

Now I’m awaiting the inevitable $75 love letter from the city. A crisp, high-def mugshot of me mid-speed, mid-blink, probably with my mouth agape and NPR on the radio. Can’t wait to frame it.

I admit, I’ve coasted through a stop sign or two. Maybe made a few rogue left turns when I considered arrows as “guidelines”. Justice has caught up to me with a flash bulb and a price tag.

Ironically, I saved $19 at King Soopers that day. I’m a coupon clipper. Now that I drive an Electric Vehicle, I don’t buy gas anymore. I didn’t see in the app that the City of Boulder was running any ticket forgiveness promotions.

Maybe I’ll ask if they’ll take my grocery rewards card as partial payment. I’ll pay my societal debt with a credit card that gives me 1.5 percent cash back – $1.13

Net, $54.87.

No good deed goes unpunished, I guess.

Busted for respecting a labor strike because I wanted to grab some Hostess Snowballs and a dozen eggs.

Do you think the City of Boulder accepts grocery points toward fines?

From now on, I’ll either stay home or wear sunglasses everywhere, just in case another flash is coming. That can’t be good. I’m at risk for glaucoma. Next time, I’ll remember to smile for the camera.

Next time, I might order delivery or start budgeting for “unexpected traffic fines” as a grocery expense category.

Moral of the story? If you’re shopping in Boulder, watch out for strikes, speed traps, and savings that cost you more than they’re worth.

If you have questions or comments, message my alter ego, Alan Bot. I learn more and more every day!

Subscribe to read my stories!

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Unlocking Community Synergy: Why Story Telling Is Important to Build Vibrant Collaborative Communities

Posted on June 19, 2025 by Alan O’Hashi, Whole Brain Thinker
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In an era where digital interactions often outweigh face-to-face connections, the art of storytelling emerges as a powerful tool to bridge gaps and foster vibrant collaborative communities. Storytelling is more than just sharing experiences. It is the cornerstone of community synergy, a catalyst that breathes life into collective efforts.

As we navigate through diverse narratives, we find that embracing a multidisciplinary approach can illuminate perspectives and generate harmonious exchanges. When different voices contribute to a story, it creates a tapestry rich with varied insights that lead to innovative solutions and stronger communal bonds.

Consider how a single narrative can resonate across professions, cultures, and age groups, transforming mere anecdotes into shared wisdom that propels communities forward. The power of storytelling lies in its ability to unite disparate threads into a cohesive fabric, sparking creativity and empathy.

Through the lens of personal tales, communities uncover common goals and cultivate an atmosphere where collaboration thrives. Understanding why storytelling is important to build vibrant collaborative communities allows us to realize the full potential of our collective creativity, fostering environments ripe for innovation and growth.

The Impact of Storytelling on Community Building

Storytelling plays a pivotal role in fostering a sense of unity and connection within communities. When individuals share their narratives, it creates a powerful bond that transcends differences and unites them towards a common purpose.

My book, Views from Beyond Metropolis, deals with the importance of storytelling and remembering our histories. These stories contribute to building empathy, understanding, and trust among community members, laying the foundation for a cohesive and collaborative environment.

Through the art of storytelling, communities can unlock their full potential by harnessing the collective wisdom and experiences of its members. By highlighting shared values and aspirations, storytelling cultivates a sense of belonging and inspires active participation. This engagement not only strengthens the community fabric but also nurtures a culture of creativity, innovation, and resilience, essential for driving sustainable growth and positive change.

Leveraging Diverse Perspectives Through Storytelling

When it comes to leveraging diverse perspectives through storytelling, it is crucial to understand the power of narratives in building vibrant collaborative communities. My historical fiction novel, A New Dawn at Libby Flats, explores a reverse coming-of-age story in which the characters better understand their self-identities and experiences.

By sharing stories that reflect a variety of backgrounds, experiences, and viewpoints, we can unlock community synergy. Each narrative contributes to a richer tapestry of shared experiences that fosters **connection** and **empathy** among community members.

Storytelling plays a vital role in engaging individuals from different walks of life, allowing them to connect on a deeper level. Through personal anecdotes and shared memories, communities can bridge gaps, celebrate diversity, and work together towards common goals. Embracing the diverse perspectives that stories offer is key to creating inclusive and empowering environments where collaboration thrives.

Cultivating a Culture of Collaboration and Growth

Cultivating a culture of collaboration and growth within a community is vital for fostering synergy and innovation. Storytelling plays a crucial role in building vibrant collaborative communities by creating connections, fostering understanding, and inspiring creativity among members.

I have lived life in collaboration. Most recently, in an intentional cohousing community. I wrote True Stories of an Aging Do-Gooder about how the world would be calmer if we used consensus to make decisions. Sharing personal experiences and narratives can bridge gaps, cultivate empathy, and establish a sense of unity within the community.

Storytelling serves as a powerful tool to not only convey information but also to convey emotions and values, fostering a deeper sense of belonging and purpose. When individuals within a community share their stories, they contribute to the collective identity and create a shared vision for growth and development. By recognizing the importance of storytelling in community building, we can unlock the full potential of community synergy and create a collaborative environment that thrives on shared experiences and mutual support.

Inspiring Innovation and Creativity Through Stories

Storytelling plays a crucial role in fostering innovation and creativity within communities. By sharing stories that resonate with individuals, a sense of connection and inspiration is cultivated, sparking innovative ideas and solutions.

My memoir, The Zen of Writing with Imperfection and Confidence, chronicles my storytelling journey and how you can become better at relating your life experiences. Through storytelling, communities can unlock their collective potential and drive positive change.

Storytelling is essential for building vibrant collaborative communities. It fosters empathy, understanding, and cooperation among community members. By sharing stories that highlight diverse perspectives and experiences, a sense of unity and togetherness is established, paving the way for collaboration and synergy. In essence, storytelling acts as a powerful tool to inspire, unite, and propel communities towards a brighter and more innovative future.

Conclusion: Harnessing the Power of Storytelling for Vibrant Communities

Storytelling is a potent tool that unlocks community synergy, allowing individuals to connect on a deeper level. By sharing narratives and experiences, community members can foster empathy and understanding, which is crucial for building vibrant, collaborative communities. Through storytelling, individuals can learn from each other, celebrate diversity, and collectively work towards common goals, enhancing community cohesion.

The power of storytelling lies in its ability to transcend barriers and create a shared sense of identity among community members. By weaving narratives that resonate with others, storytelling can inspire action, promote inclusivity, and strengthen social bonds within communities. Embracing the art of storytelling is essential in nurturing vibrant collaborative communities where every voice is heard, valued, and contributes to the collective growth and well-being.
 
If you have questions or comments, message my alter ego, Alan Bot. I learn more and more every day!

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Posted in BCM News, BCM Newsletter | Tagged building, collaboration, community, culture, diverse, diversity, multidiscipinary | Leave a reply

My mental operating system is obsolete

Posted on June 13, 2025 by Alan O’Hashi, Whole Brain Thinker
3

My mental operating system is now officially obsolete.

My trusty MacBook Pro from 2012 has been a digital cockroach that won’t die. I type my first drafts on an Olympia manual desktop typewriter. I should scrap the computers.

That ancient MacBook saw me through everything: websites launched, manuscripts written, and a dead-end journey into NFTs. Then, the cyberworld started sending me “helpful” alerts:

  • “Your OS is no longer supported.”
  • “Microsoft Office 2019 will no longer update.”
  • “Please update to continue Googling things you once knew.”

“Fine,” I thought. “Maybe it’s time.” I bit the bullet and “upgraded,” and I use that term loosely, to a 2020 MacBook Pro. Wireless is anything but. My new to me computer has been nothing but trouble, not including user error.

You’d think moving up just eight years wouldn’t be a shock to the system. Now I’ve got a machine that thinks it’s me, but doesn’t really know me. It’s like a solid-state clone with amnesia.

All the files were transferred over. All the settings look familiar. But every time I open something, it asks me:

“Who are you?”

  • “Click on the squares that are a traffic light.
  • “Your password must contain a number and a symbol, but not this symbol.”
  • “Would you like to link your device to a digital fridge in Kiev?”

I didn’t subscribe to Office 365 on principle. I told myself long ago I wouldn’t be blackmailed by a company that charges rent for word processing. So I switched to Google Workspace. It’s clunky, but kind of charming in a free-range chicken kind of way: Upload this. Download that. I’ll use Scrivener more for word processing. I’ve slowed down, which is a good thing.

Planned obsolescence is real.

As soon as I touch a new device, I can hear it whisper, “You’ll replace me in three years. Don’t get attached.” I, like my computer, am obsolete. The memory is the first to go.

That’s why I’ve learned to stay a model or two behind. I didn’t buy the iPhone 15 when it came out. I have the iPhone SE for half the price, which is emotionally ready for a commitment. I have two iPhone 6s that I use for guerrilla movie shoots. They are WiFi-enabled, so I can use them as little computers.

It’s not just phones and laptops. Remember when microwave ovens were luxury items? My family didn’t get one until the Reagan administration, and even then, it was as big as King Kong’s bread box and treated like a nuclear reactor. Today, you can get one for $49.99 at Walmart, and it’ll probably come with a free Fire TV Stick if you subscribe to the Norton Virus Exterminator.

Same with televisions. Back in the ‘60s and ’70s, the TV was a piece of mahogany furniture with a built-in record player and radio. Now, they’re so cheap and light, people mount them on the wall like electronic artwork.

No wonder my dad never bothered with computers. He didn’t have a cellphone, but took a step on the wild side and used a handheld electronic calculator.

I’m living proof that digital age fatigue is a real condition.

My old laptop is, basically, a typewriter with WiFi. My new one has an identity crisis. My brain has too many browser tabs open. But hey, at least I’m still writing on the new computer. We’re slowly becoming friends.

Maybe it’s not me that’s obsolete. Maybe it’s the world that keeps upgrading past what’s actually useful. After all, you don’t need a monthly subscription to wisdom. Nostalgia still boots up just fine.

I made an Alan Bot that’s premiering in this post. If you have questions about my books and movies, or about my creative motivations, ask away. I’m working on a platform to connect indie writers so we can collectively compete in the marketplace which is dominated by celebrity writers. If you’re interested in becoming a Best Chance Media author, let me know.

Support an indie artist and purchase a book. If you don’t want to read it yourself, they make great gifts. Click on the Libby Flats cover to enter the bookstore.

My first novel, A New Dawn at Libby Flats, is a reverse coming-of-age character-driven story with some subtle twists. The story is set in Devils Tower, Lander and Laramie, Wyoming, Boulder, Colorado, Cherry Ridge, New Jersey, and points in between.

Check with your book club and see if they want to read something other than a book that bought its way onto the Best Seller List.

My alter ego is learning new stuff every day – Click and chat!

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Posted in BCM News, BCM Newsletter, Books | Tagged aging, bcm newsletter, cloud, iphone, macbook, newsletter, nft, obsolence, typewriter, writing | 3 Replies

Views from Atop My Bedpan: A Life Told in Reverse: From obituary to orgasm and what I learned about living by almost dying

Posted on June 7, 2024 by Alan O’Hashi, Whole Brain Thinker
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There’s been a lot of talk over the past year about the state of healthcare in America. I’ve lived through seven, going on eight decades, tangled in the tubes, pills, forms, and fees of the American healthcare industrial complex.

December 16th marks 12 years since I went to the hospital, where I spent a month on my deathbed. That was the inciting incident for my memoir, Views from Atop My Bedpan, which begins with my death — or at least what will likely be my last dance with the Grim Reaper, then travels backward through time. I figured I’d get the pain out of the way first.

Like most people, I didn’t exactly volunteer for this — I was born into it. But I decided to tell my story differently: in reverse. My picture was taken during a brain MRI required for a research study that determined moderate physical activity improves memory.

That way, I could end things with a bang — literally. The final chapter is a twinkle in my parents’ eyes. Life ends in an orgasm. And if we’re lucky, that’s how it began for all of us.

Why tell a story in reverse? Because healthcare, like life, only makes sense when we step back and look at the whole picture, not just the flatlines and the charts, but the absurd, the beautiful, and the deeply human moments in between.

The memoir begins with me in a senior cohousing community in Boulder, Colorado, where I was asked to leave because I was too healthy. Drunken raisins and acupuncture torture worked better than expected.

Go back a bit further, and you’ll find me navigating the politics of hospital mergers and performing emergency CPR in small-town clinics. Keep rewinding, and I’m a college kid learning how not to die too young, a high schooler enduring the horrors of sex ed, and a grade schooler with thick glasses and bad teeth trying to stay out of the nurse’s office.

Eventually, I was nothing more than a cell in my mother’s womb. And finally, I end as a warm burst of joy in a moment between two people who never imagined the healthcare system would one day bill them for my existence.

Click on the book cover to buy an autographed copy of Views from Atop My Bedpan.

Throughout the story, a question hangs in the air: How can a system built to save lives also depend on people never fully recovering?

Our healthcare industry is a paradox. On one hand, it’s filled with people who truly want to help. On the other hand, it’s an industry that needs customers. If everyone were cured tomorrow, the system would collapse under its success.

I don’t claim to have the answers. But I do have stories. Some are funny, some painful, and many are both. If you’ve ever sat on hold with your insurance company, waited six hours in an ER, or wondered whether a treatment was meant for your body or your billing code, this book is for you.

As of this writing, actuarial tables indicate that I have 10.4 more years to live. That’s 10.4 more years of laughing, griping, healing, and learning. I’ve flirted with death about every 20 years — most recently from an exotic lung disease in 2013. Next time, the Grim Reaper might not be so generous. But until then, I’ve got stories to tell and lessons to share.

And here’s one of them: Maybe life shouldn’t be measured by how long we live but by how deeply we’ve paid attention to ourselves, to each other, and to the strange systems we navigate along the way.

If you have questions or comments, message the ALAN-BOT. We learn more and more every day!

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Posted in BCM News, BCM Newsletter, Books | Tagged affordable care act, aging, bedpan, birth, complex, death, death bed, healthcare, hospital, industrial, medicaid, medicare, obamacare, orgasm, social security | Leave a reply

‘Views from Atop My Bedpan’

Posted on March 19, 2023 by Alan O’Hashi, Whole Brain Thinker
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Views from Atop My Bedpan, a memoir by Alan O’Hashi, is a memoir about the author’s experiences with the American healthcare industrial complex spanning seven decades.

“Views from Atop My Bedpan” is set to release on April 1, 2023. The cover picture is of author Alan O’Hashi as if he had aged 10 years.

During his journey, Alan learned about the Emergency Department bottleneck when he was nearly dead for six weeks. His road to recovery was a long one through alternative treatments. As he grew younger, his contact with the healthcare system was much simpler.

The story moves backward, starting with his healthcare in a Boulder, Colorado, senior cohousing community. Read about his acupuncture torture and drunken raisin arthritis remedy until he was kicked out of his retirement home for being too healthy and young.

The book recounts Alan’s medical-related experiences in the working world, including a small-town hospital merger and an emergency CPR RESCUE.

The story follows his time in college, then traces his life through high school, his adolescent experiences with sex education, and his struggles with poor eyesight and teeth in grade school.

His life ends as a twinkle in his parents’ eyes.

Some content may not be suitable for some readers.

There’s a paradox. Public and private healthcare providers are dedicated to keeping people alive and free from disease, but at the same time, they must also generate a financial profit to sustain themselves.

At the same time, the industry keeps its heart thumping and pumping based on continually expanding the number of patients who consume the latest pharmaceuticals, visit doctors, and are diagnosed by the newest machines. It’s better that people stay a little sick rather than be cured from a profit-and-loss standpoint.

According to the latest Social Security Administration actuary chart, the author has 10.4 years to go. He conjectures his death at 79. He’s had a flirt with death every 20 years or so, most recently surviving an exotic lung disease in 2013.

His next meet-up with the Grim Reaper will likely be the last. Please buy the book now!

“We all have unique experiences as we move through life. Being at the top of my game has been hard work. I prefer to have positive influences on others I meet.” Alan O’Hashi

If you have questions or comments, message the ALAN-BCM BOT. We learn more and more every day!

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Posted in BCM News, BCM Newsletter, Books | Tagged aca, acupuncture, arapaho, boulder, cohousing, colorado, healthcare, medicaid, medicare, obamacare, sex education, wyoming, yoga | Leave a reply

KDP layouts got you stressed out?

Posted on August 12, 2021 by Alan O’Hashi, Whole Brain Thinker
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I read on many of the Facebook groups about the frustrations self-publishing authors experience when they try to upload their manuscripts to Kindle Direct Publishing (KDP).

Brain damage and frustration are the prices you pay to self-publish all by yourself without signing up for a “pay to play” publishing house or hiring consultants to help you. I’m an analog writer, and dealing with the technology of authorship can be frustrating.

Self-publishing means we do it ourselves. I also have a publisher that takes all the brain damage out of all this.

Making my own books gave me an appreciation for what established publishers do on behalf of writers. I can attest that they earn every penny they squeeze out of each book sale.

The issue I’ll address here is how to lay out your manuscript for a hard copy book. I’ve published three books on KDP.

The first one had me pulling my hair out, but once I settled on a format, the others were simple, since I followed a template I made for myself with the first book.


Pick out the size of the book you want to publish. The instructions I’m providing instructions for 6″x9″

Here are some simple steps I followed using Microsoft Word (Word). The first step is to decide what size book you want to publish. I chose 6″x9″ from the list that KDP supports. After you’ve opened up Word, pull down “File” and open up “Page Setup.”


Pull down “Page Setup” and open it.

This will bring you to the “Page Attributes” tab where you can set up the page size. After you’ve opened “Paper Size” choose “Other” and type the size. In this case, for 6″x9″ I chose 6.11X9.25.

Pick Other, then type in the desired dimensions from the KDP page size list. For a 6×9 book, I use 6.11×9.25. Also, orient your page to be vertical at 100 percent scale, then hit OK.

After you’ve chosen your page size, open up the drop down the “Page Attribute” box and choose “Microsoft Word.” That reveals a tab. Select “Margins” and then OK.


Select “Margins” then OK.

A new window will open that allows you to select your margins. This is where you can get frustrated, because the margin sizes can be adjusted to meet your visual preferences. This may take you three or four uploads to KDP to see what they will look like. KDP allows you to change your formatting and layouts. If you walk away, remember to save your project as a draft so you can come back to it without having to edit your “sent” project. I did that after I had second thoughts about the layout. For projects that you “submit” and you want to edit, it takes a few days for KDP to process the data and make it “live.” My advice is to be patient and not rush. KDP allows you to sell your “coming soon” book. I settled on these settings, and you can try them. What you pick can vary depending on font and type size. After you hit OK, your manuscript will change. Take a look at it. If you like the balance, upload it to KDP as a draft. What is frustrating is that once your manuscript is uploaded, KDP will make its own version, which will be slightly different than what your Word document looks like. Be patient and take your time.


Deciding on your margins is hit or miss. If there’s any part of this that can be frustrating, it will be your margins. I suggest you jot down the margin combinations you’ve tried, rather than trying to remember them. As for multiple pages, mirror the margins. This allows the gutters to match up with the facing pages.

After you’ve set your margins, open up the “Layout” tab at the top of the box. I use half-inch headers and footers. Again, you can mess around with the settings, but if you have page numbers, you’ll want adequate space so that they fit relatively centered in the header or footer – not too high, and particularly not too low to the page edge.


Select your header and footer. I wouldn’t mess around with the line numbers – that’s for legal documents and legislative drafts. Borders are just aesthetics, but likely unnecessary for book publishing.

That’s it for KDP self-published books. I can’t overemphasize the need for you to be patient with the trial and error you’ll likely experience.

When it comes to the KDP e-book version. You’ll keep your manuscript “one-up” with a single sheet. The frustrating part is with the table of contents. I would leave that out of the e-book because the pages float around and change. Also, the Word table of contents tool doesn’t change as the pages change, and it becomes disorganized.

The e-book title pages and other stuff at the beginning, like the Dedications, may get scrunched together, so be prepared not to have separate pages for the introductory information.

I use a website called Online-Convert to make e-books other than for KDP. It does a pretty good job of converting my Word files, including adding a front cover. Again, nothing is 100 percent. You’ll have to mess around with pages and formatting.

If you have questions, ask Alan Bot!

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Posted in BCM Newsletter, Books | Tagged amazon, author, Books, direct, frustration, kdp, kindle, layout, publish, publishing, self, self publish, writing | Leave a reply

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