Pope Leo, Japanese internment, and the Sand Creek Massacre

The Pope from the South Side

The Topps baseball card company produced a Pope Leo XIV card soon after he was elected.

We haven’t heard much from Pope Leo XIV, but I’m pretty sure he’ll make waves over the seven seas after he was elected by the College of Cardinals during the recent Conclave.

Hailing from Chicago and being a loyal White Sox fan, Pope Leo (nee Robert Francis Prevost) brings a down-to-earth sensibility and a deep understanding of the American psyche.

While the details of his papacy are still unfolding, there’s something familiar about a pope who knows the taste of a ballpark hot dog and the heartbreak of a blown save in the bottom of the ninth.

Thousands of people awaited Pope JP II to arrive in his Pope-Copter. It was akin to seeing Elton John being flown in for a concert. The Pope-Copter is on the horizon.

His ascension to the papacy stirred memories of another papal moment closer to home. In August 1993, Pope John Paul II came to Denver for World Youth Day. At the time, I lived in Lander, Wyoming.

On a whim, I decided to drive down to Cherry Creek State Park to witness the massive outdoor Mass. The crowd was huge, joyful, expectant, and buzzing with the energy typically reserved for rock concerts and championship games.

I parked my car and walked to the makeshift sanctuary with a guy carrying a watermelon. We spent the day together, sitting on the ground, bound by curiosity and the weight of the moment. He brought the melon, and I had a Swiss Army knife on my keychain. That became our communion before the Mass. When the Pope arrived in his Pope-Copter, it felt like he was a rock star descending from the heavens.

Ironically, that was my first and only Catholic Mass. The Pope’s message about hope, connection, and the youth’s responsibility to carry something sacred into the future reminded me that sometimes faith finds you, even if you’re not looking for it.

Now, decades later, with a Pope from our own backyard, I can’t help but wonder what kind of messages will resonate from Vatican City to Chicagoland and beyond. This papacy will have an American accent and maybe a little South Side swagger.

Pilgrimage and Proof: My Family Story at Amache

When I visited Camp Amache for the first time 20 years ago, only a brown wooden sign marked the entrance.

As I reflected on that day in the middle of a crowd with Pope JPII in 1993, I found myself thinking about the quieter, more difficult memories that shape us. In mid-May 2025, I joined hundreds of others for a different kind of gathering.

I had visited Camp Amache near Granada in southeastern Colorado twice before my third time in mid-May 2025 for the 50th annual pilgrimage to Camp Amache, one of ten Japanese American incarceration sites from World War II.

The first time I visited, about 20 years ago, the site was little more than partial foundations peeking through the prairie grass.

I watched the total eclipse in Poteau, Oklahoma, in April 2024. I stopped at Granada and Amache on my way back to Boulder.

There was no visitor center, no exhibits, and no national designation, just land and silence.

I passed through Granada for the second time after the 2024 solar eclipse in Poteau, Oklahoma. By then, Amache had become a National Historic Site, an expanded museum, and the memory of what happened there was no longer just preserved, but was being honored.

My third visit was different. Hundreds of former internees and their descendants, who had once lived behind barbed wire as children, were now returning in old age to retrace their past.

There were stories in every handshake, every photograph at the museum, and in quiet moments at the restored barracks.

For me, this visit resolved a piece of family history that had always existed somewhere between fact and legend.

Hundreds of former Amache internees and their descendants attended the pilgrimage based at Granada High School.

Although I have no direct family connection to Amache, I came this time to see the Ireichō sacred book that contains the names of every known person incarcerated in the camps.

It was touring the country and made a stop at Amache. Before I went, I called ahead to ask if the book listed my grandfather Ohashi and my Uncle George, who may have been interned in California.

It didn’t, but the researchers soon confirmed that Grandpa Ohashi had been in the Tulare Assembly Center. Surprisingly, George ended up at the Puyallup Assembly Center in Washington.

My Grandfather Ohashi and Uncle George were listed in the Ireichō book of names.

I had heard this before, but now I had documentation to support the oral history. My Auntie Elsie had negotiated with state and federal officials to get both of my relatives paroled back to Wyoming, where our family had been living.

Japanese Americans in areas such as Wyoming, technically outside the official West Coast “exclusion zones,” were not free from suspicion, racism, surveillance, and the quiet burden of being seen as the enemy by their neighbors.

Standing at Amache, surrounded by descendants and survivors, I realized that my family’s story is part of a larger mosaic. Two names in a 127,000-name book serve as proof, presence, and an overdue reminder that America’s past is where we still live, not just a place we revisit.

A different take on the Sand Creek Massacre

Southern Cheyenne storyteller Greg Lamebull retells the Sand Creek Massacre story. David Nichols trained 100 Boulder volunteers to fight at Sand Creek.

Just as the names in the Ireichō testify to lives disrupted by fear and policy, my visit to Amache reminded me of how easily official narratives can exclude entire communities, and how important it is to keep telling the full story.

That realization followed me during another stop on the same trip to the Sand Creek Massacre National Historic Site.

I stood on the wind-swept plains where nearly 230 Cheyenne and Arapaho people—mostly women, children, and elders—were slaughtered by U.S. troops in 1864. I listened as National Park Service rangers described not only the atrocity itself but also how settlers and military officers denounced the violence at the time. Their voices, too, are part of the story.

This visit, combined with recent shifts in federal priorities, sparked the idea for a new project. The National Endowment for the Arts (NEA) funding was cut, and grant programs now emphasize the arts and stories based on America’s Western European heritage.

The Arapaho Covered Wagon Redux was an NEA-funded project that featured the Boulder Symphony and the Northern Arapaho Eagle Society drum and singers performing a new soundtrack from a tribal perspective.

In the lead-up to the United States’ 250th anniversary, the federal government is stepping back from programs that celebrate pluralism and grassroots cultural expression.

My previously funded project, The Arapaho Covered Wagon Redux, told the story of Arapaho efforts to reclaim traditional lands in Colorado, narrated from within the tribal community and told by a new soundtrack for the 1923 silent movie, The Covered Wagon.

The recording took place at a live performance in October 2024, Indigenous Peoples’ Month, featuring the Northern Arapaho Eagle Society drum and singers and the Boulder Symphony.

I’m writing a companion book and a script for a documentary titled Beyond Fort Chambers. This project explores the Sand Creek Massacre through the perspectives of the government, settlers, soldiers, and dissenters, whose voices complicate the narrative and help us understand how conscience and complicity coexisted on the frontier.

Fort Chambers, located just outside Boulder, served as a staging ground for the Colorado volunteers who attacked the Cheyenne and Arapaho at Sand Creek, but it is also a site where local resistance to the massacre quietly grew.

The project poses not the question, “Whose version is true?” but rather asks, “What do we gain when we hear them all?”

Looking Back, Moving Forward

I covered the Bolder Boulder 10K on Memorial Day, taking clips of everything but the race, including an annual mug shot with Elvis.

From a chance encounter at a papal mass to uncovering family truths at Amache, and now exploring the complex histories of Sand Creek and Fort Chambers, these stories remind us that memory isn’t passive, but instead is a future we shape, preserve, and pass to others based on our collective and diverse experiences.

At a time when public narratives are becoming narrower and the social and cultural divides are wider, it’s more important than ever to listen to voices from the margins and seek a deeper understanding of our origins and how we’ve ended up.

If these reflections resonate with you, I invite you to:

  • Read my memoirViews from Beyond Metropolis, which chronicles my personal journey through identity, place, and the evolving concept of home in the American West. How can we reimagine Superman’s American Way and become more collaborative?
  • Watch the documentary, The Arapaho Covered Wagon Redux, which offers a powerful look at Arapaho efforts to reclaim land and gain historical recognition following the Sand Creek Massacre with a contemporary soundtrack blending traditional Arapaho songs with the Boulder Symphony.
  • Read my memoir, Beyond Heart Mountain, which is about being Japanese in Wyoming and the history of the once vibrant Japanese neighborhood on West 17th Street in Cheyenne, my hometown. Watch the companion PBS documentary.
  • Listen to my podcast, Black &Tan, which I co-host with my friend and colleague Pedro Silva. We talk about ways we can become more accepting of people different than ourselves, based on different kinds of beer.

Your engagement helps keep our stories a part of the broader American conversation.

If you’d like to stay in touch, especially those of you far away, or have moved on to different pursuits. If you’re interested, please subscribe.

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BCM launches Best Chance Media publishing

Featured

Best Chance Media (Best Chance is an independent “print-on-demand” (POD) publishing imprint dedicated to giving up-and-coming writers a chance to see their book in digital and print formats.

Best Chance is transparent about its legal, marketing, and financial approaches and welcomes your questions.

There is a catch.

I’m a member of several online writing groups. Many writers lament about receiving rejection letters. Some report as many as 60 “no-dice” notifications. Our authors must demonstrate that the manuscript they submitted was rejected by one or no more than three other agents or publishers within the past three years. The fundamental Best Chance mission is to counterbalance mainstream publishers’ control over writers.

Best Chance is author-focused and collaborative. Approximately 3,000 ISBNs are issued every day. This means the competition for brick-and-mortar shelf space is high and favors the big publishing houses that sign celebrities. Even Snoop Dogg has a best-selling children’s book. Where does that leave authors who have no natural outreach platforms?

This means that writers and small publishing companies must combine forces to compete better.

Best Chance partners with IngramSpark to ensure our books are widely accessible on major online platforms and available for purchase in storefronts. Our authors work closely with our management team to produce the highest-quality books.

Creating the New Creative Economy since 2001/

Best Chance is an imprint of Boulder Community Media (BCM), a 501(c)3 nonprofit organization formed in 2001. BCM’s philosophy is to create safe spaces through the arts for communities to discuss and resolve critical issues.

BCM wants media in all their forms to be accessible to all. Best Chance is most interested in helping authors get their stories told.

Alan O'Hashi, Best Chance Editor and Publisher has been hooked on writing since reading his first byline in his junior high school newspaper.

BCM Executive Producer and Director Alan O’Hashi has produced five PBS documentaries. During the COVID-19 pandemic, his work in progress stalled, and he dusted off his typewriter to resurrect his writing. He has now added Editor and Publisher to his credentials.

In early June 2019, he attended the Wyoming Writers, Inc. Conference in Laramie, where he met a publisher and pitched a book. Alan’s idea was accepted on the spot. He wrote 80,000 words and was contracted in October. It turns out that, COVID or no COVID, Alan doesn’t get out much. Since then, he has self-published nine books with another scheduled for traditional publication.

Securing a book deal on his first attempt wasn’t common. Alan didn’t realize how lucky he was. He became disillusioned by the stories he had heard from other authors about the daunting process of traditional publishing.

This led to the creation of Best Chance Media, which was designed around publishing and distributing Alan’s books and is diversifying, particularly encouraging first-time diverse, marginalized authors to submit. As the book industry evolves, Best Chance will continue to adapt and provide first-time authors the best chance of success.

My Wake Up Call: Thousands of ships pass through the night

The 151st running of the Kentucky Derby took place on Saturday, May 2nd. That also meant that it was my birthday. I was born on Derby Day. The pic is my Grandfather Ohashi and me.

I don’t know what got into me, but I realized I should be better at staying in touch with people I’d met over the years: family members, classmates, former colleagues, and near strangers.

My devices are full of email addresses that organically accumulated over the past 32 years. The number is around 5,800.

Email wasn’t widely used until the 1990s, which was about the time I moved from Lander, Wyoming, to Boulder, Colorado.

It took me a few hours, but I cleaned up my address book this week. There were people I had known during my various lives on the job and in the community. Some people had died. I’ve stayed connected with many of you, and now social media has become a more popular way to find out what you’re doing.

Ships passing in the night. For most of you, though, we were acquaintances who drifted in and out of each other’s lives as our circumstances changed.

Maybe you were a student intern, a client, a customer, a social media user, or a fleeting friend.

We could have been volunteers together in a nonprofit organization. We could be friends who met on social media.

Unsubscribe if you have better things to do!

What is the purpose of this newsletter? It will be like a holiday update, but more frequent, probably monthly. About my creative projects, new stories I’ve written. Since I have acquaintances who range from the far left and far right, there won’t be perspectives on current political events.

What have I been doing lately? I’ve been making documentary movies and writing books. During the COVID-19 pandemic, I spent my time in self-isolation resurrecting my writing.

I’ve written 10 books since 2020 and started a publishing company for emerging writers, Best Chance Media.

My first novel, A New Dawn at Libby Flats, which takes place in Wyoming, Colorado, and New Jersey, is a reverse coming-of-age story.

My documentary movie, The Arapaho Covered Wagon Redux, stalled during COVID. It finally saw the light of day in 2024 and screened at the Boulder International Film Festival in March 2025.

If you have any story ideas that the world should know about, I’m open to new ideas for books and movies.

I’ve been uncluttering. My cyberworld was getting cluttered with too many domain names. and consolidated all of my websites to converge on this one, Boulder Community Media.

I also noticed that I have 48,000 emails and have no idea why I’ve been hoarding them. Trashing those may be a project for another life.

My analog world also needed to be downsized. There was an urban wildfire that destroyed 1,000 homes east of Boulder on December 30, 2021. Most people lost everything.

That’s when I sold all of my collectible memorabilia in 2023. I still suffer from separation anxiety. I took photos of my best baseball cards and retained the memories. It’s time for others to get some enjoyment out of my junk.

I almost died in 2014. An exotic lung disease almost took me.

Life is short, and so far, I’ve been waking up on the right side of the grass to face another day. I was in the hospital and rehab for six weeks and housebound for another two months.

This is the only picture that I took while flat on my back.

If you’d like to stay in touch, especially those of you far away, or have moved on to different pursuits. This content will also be sent out in a newsletter. If you want to be included, please subscribe.

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‘Arapaho Covered Wagon Redux’ premieres May 6, 2024

The screening in the Boedecker Theater at the Dairy Center is free, but attendees must get a ticket for a headcount. Watch for the registration link.

https://thedairy.org/event/the-arapaho-covered-wagon-redux/

Boulder Community Media (BCM) presents “The Arapaho Covered Wagon Redux” (Arapaho Redux), a documentary by Alan O’Hashi, which retells “The Covered Wagon,” an epic 1923 silent film.

The movie screens with an intermission in the Boedecker Theater at the Dairy Center on May 6th from 6:00 to 9:00 p.m.. A question-and-answer session happens after the movie.

What makes the Redux new is a new soundtrack recorded by the Northern Arapaho Eagle Society, led by Michael Ridgebear, and the Boulder Symphony & Music Academy, led by Music Director Devin Hughes. The soundtrack was recorded live before an audience during Indigenous Peoples’ Month in October 2023.

The music retells the story from a tribal perspective and reverses negative Native American stereotypes perpetuated over six centuries. The Arapaho Redux provides a safe space for diverse and collaborative voices to support the Arapaho people as they pass on the tribal language and ceremonies to their children.

The screening is two hours with an intermission and a Question and Answer session with the filmmakers, Alan O’Hashi and Michael Conti, Boulder Symphony Director Devin Hughes, and invited Arapaho Tribal Representatives.

In 1923, “The Covered Wagon” included a prologue called “Pioneer Days” featuring Arapaho tribal members in full regalia telling stories in sign language translated by Cowboy actor, Tim McCoy.

Similarly, “Arapaho Days” is the Redux prologue about the making of the new soundtrack, Arapaho reversing negative tribal stereotypes in an effort to regain land from the city of Boulder.

The movie is about settlers traveling in wagon trains from Missouri to Oregon. Director James Cruze hired several hundred Northern Arapaho to be background actors.

The pioneers encountered conflicts with tribes along the way who were protecting their homeland. The mixed-genre music retells the story from a tribal perspective to reverse negative Native American stereotypes perpetuated by popular media over three centuries.

The Arapaho Redux provides a safe space for diverse and collaborative voices to support the Arapaho people as they tie the tribal language and ceremonies to their traditional homelands in Northern Colorado through their young people.

Thanks to the National Endowment for the Arts, Boulder Arts Commission, Wyoming Arts Council, Wyoming Humanities, Wyoming Cultural Trust Fund, and many individual supporters like you.

‘Beyond Heart Mountain” is now an audiobook

Buy the “Beyond Heart Mountain” audiobook.

Beyond Heart Mountain by Alan O’Hashi is now an audiobook. Buy it today from Rakuten Kobo.

The story is an offbeat memoir of the American West based on his childhood in Cheyenne, Wyoming, after World War II and his experiences living around the state until he moved to Boulder, Colorado, circa 1993.

Alan’s original story is available on the Boulder Community Media website. He relates his experiences in the context of the current social and cultural divides prevalent in the United States today and the consequential need for greater civility.

Social change happens one person at a time. After Pearl Harbor was bombed on December 7, 1941, President Franklin Roosevelt signed Executive Order 9066, which established the War Relocation Authority that ordered 120,000 Japanese-Americans to uproot and be transported by train to 10 relocation centers.

Japanese, including Alan’s family members, who resided in the U.S. interior, including Wyoming and Colorado, were considered “Interned in place.” They avoided life in camps like Heart Mountain near Yellowstone National Park and Granada in Southeast Colorado.

Nonetheless, Alan and his family were still subject to the subtle and overt racism toward Japanese residents during and after the War. He recounts his experiences and weaves them with the history of the once vibrant Japanese neighborhood in the 400 and 500 blocks of West 17th Street in downtown Cheyenne.