BCM launches Best Chance Media publishing

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Best Chance Media (Best Chance is an independent “print-on-demand” (POD) publishing imprint dedicated to giving up-and-coming writers a chance to see their book in digital and print formats.

Best Chance is transparent about its legal, marketing, and financial approaches and welcomes your questions.

There is a catch.

I’m a member of several online writing groups. Many writers lament about receiving rejection letters. Some report as many as 60 “no-dice” notifications. Our authors must demonstrate that the manuscript they submitted was rejected by one or no more than three other agents or publishers within the past three years. The fundamental Best Chance mission is to counterbalance mainstream publishers’ control over writers.

Best Chance is author-focused and collaborative. Approximately 3,000 ISBNs are issued every day. This means the competition for brick-and-mortar shelf space is high and favors the big publishing houses that sign celebrities. Even Snoop Dogg has a best-selling children’s book. Where does that leave authors who have no natural outreach platforms?

This means that writers and small publishing companies must combine forces to compete better.

Best Chance partners with IngramSpark to ensure our books are widely accessible on major online platforms and available for purchase in storefronts. Our authors work closely with our management team to produce the highest-quality books.

Creating the New Creative Economy since 2001/

Best Chance is an imprint of Boulder Community Media (BCM), a 501(c)3 nonprofit organization formed in 2001. BCM’s philosophy is to create safe spaces through the arts for communities to discuss and resolve critical issues.

BCM wants media in all their forms to be accessible to all. Best Chance is most interested in helping authors get their stories told.

Alan O'Hashi, Best Chance Editor and Publisher has been hooked on writing since reading his first byline in his junior high school newspaper.

BCM Executive Producer and Director Alan O’Hashi has produced five PBS documentaries. During the COVID-19 pandemic, his work in progress stalled, and he dusted off his typewriter to resurrect his writing. He has now added Editor and Publisher to his credentials.

In early June 2019, he attended the Wyoming Writers, Inc. Conference in Laramie, where he met a publisher and pitched a book. Alan’s idea was accepted on the spot. He wrote 80,000 words and was contracted in October. It turns out that, COVID or no COVID, Alan doesn’t get out much. Since then, he has self-published nine books with another scheduled for traditional publication.

Securing a book deal on his first attempt wasn’t common. Alan didn’t realize how lucky he was. He became disillusioned by the stories he had heard from other authors about the daunting process of traditional publishing.

This led to the creation of Best Chance Media, which was designed around publishing and distributing Alan’s books and is diversifying, particularly encouraging first-time diverse, marginalized authors to submit. As the book industry evolves, Best Chance will continue to adapt and provide first-time authors the best chance of success.

My Wake Up Call: Thousands of ships pass through the night

The 151st running of the Kentucky Derby took place on Saturday, May 2nd. That also meant that it was my birthday. I was born on Derby Day. The pic is my Grandfather Ohashi and me.

I don’t know what got into me, but I realized I should be better at staying in touch with people I’d met over the years: family members, classmates, former colleagues, and near strangers.

My devices are full of email addresses that organically accumulated over the past 32 years. The number is around 5,800.

Email wasn’t widely used until the 1990s, which was about the time I moved from Lander, Wyoming, to Boulder, Colorado.

It took me a few hours, but I cleaned up my address book this week. There were people I had known during my various lives on the job and in the community. Some people had died. I’ve stayed connected with many of you, and now social media has become a more popular way to find out what you’re doing.

Ships passing in the night. For most of you, though, we were acquaintances who drifted in and out of each other’s lives as our circumstances changed.

Maybe you were a student intern, a client, a customer, a social media user, or a fleeting friend.

We could have been volunteers together in a nonprofit organization. We could be friends who met on social media.

Unsubscribe if you have better things to do!

What is the purpose of this newsletter? It will be like a holiday update, but more frequent, probably monthly. About my creative projects, new stories I’ve written. Since I have acquaintances who range from the far left and far right, there won’t be perspectives on current political events.

What have I been doing lately? I’ve been making documentary movies and writing books. During the COVID-19 pandemic, I spent my time in self-isolation resurrecting my writing.

I’ve written 10 books since 2020 and started a publishing company for emerging writers, Best Chance Media.

My first novel, A New Dawn at Libby Flats, which takes place in Wyoming, Colorado, and New Jersey, is a reverse coming-of-age story.

My documentary movie, The Arapaho Covered Wagon Redux, stalled during COVID. It finally saw the light of day in 2024 and screened at the Boulder International Film Festival in March 2025.

If you have any story ideas that the world should know about, I’m open to new ideas for books and movies.

I’ve been uncluttering. My cyberworld was getting cluttered with too many domain names. and consolidated all of my websites to converge on this one, Boulder Community Media.

I also noticed that I have 48,000 emails and have no idea why I’ve been hoarding them. Trashing those may be a project for another life.

My analog world also needed to be downsized. There was an urban wildfire that destroyed 1,000 homes east of Boulder on December 30, 2021. Most people lost everything.

That’s when I sold all of my collectible memorabilia in 2023. I still suffer from separation anxiety. I took photos of my best baseball cards and retained the memories. It’s time for others to get some enjoyment out of my junk.

I almost died in 2014. An exotic lung disease almost took me.

Life is short, and so far, I’ve been waking up on the right side of the grass to face another day. I was in the hospital and rehab for six weeks and housebound for another two months.

This is the only picture that I took while flat on my back.

If you’d like to stay in touch, especially those of you far away, or have moved on to different pursuits. This content will also be sent out in a newsletter. If you want to be included, please subscribe.

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Facebook Community Boost workshop ‘AHA’ moments and a few tips

Facebook brought an event called the Community Boost to Denver

Facebook is putting on the full court press to get the gig economy to become an integral part of the macro-economy. How do we turn our hobbies and cottage businesses into real money?

The grassroots road show came to Denver recently. It was a classy event at the Cable Center near the University of Denver.

The Cable Center is a non-profit organization that educates the public about, I suppose, the great things that cable TV has done for the good of society.

My background is public access TV, which was a provision of the original Cable Communications Act of 1984 that set up community access channels as a ploy to avoid regulation as a public utility and dodge FCC oversight.

I had to check out the CATV museum with the history of cable and honors all the pioneers who made billions of dollars.

Not that there’s anything wrong with that, but I digress.

The event’s goal was to provide basic information and some hands-on experience with how to use facebook to increase website traffic, get more buyers / customers and ultimately how to buy more facebook ads through micro-targeting and subsequently make more money for your fledgling business and for facebook.

facebook booster creative

The facebook Community Boost exhibit area include the Mobile Studio that provides in-phone apps to edit pix and video

I’m a filmmaker and facebook is trying to turn everyone into rough-around-the-edges filmmakers, which devalues the work that I and all of my colleagues do.

Nonetheless, if you’re going to make video, you might as well post stuff that at least looks halfway decent.

Here are a few tips to improve your videos:

  • Have a story in mind. Even on the spot, you can mentally compose a beginning, middle and end to your movie, even if it’s only 15 seconds long. If you use an in-phone app like Splice or iMovie, you can shoot clips, trim and reassemble them. If you don’t edit, lots of creativity can come about from the continuous shot – going from scene to scene while keeping the phone camera steady. The climax to your story is some sort of call to action – “Click here”, “Call us”, “Donate now.”
  • Hold your camera steady. Move smoothly hand-held. My preference is to shoot with the phone camera horizontally. TV screens and monitors are not vertical and horizontal video displays and looks better. If you’re webcasting facebook live, turn the camera horizontally until the image flips then start the recording.
  • Movies are 80% sound. Viewers can take video that’s a little shaky or out of focus but if the sound is bad, your potential customers will skip to the next video. The microphone is at the bottom of the phone. Get as close as you can to your action or subjects. Normal voices from across the room won’t be picked up. If you decide you want your voice in the recording, try to let your subject complete their statement and avoid “walking over” their audio with your excited utterances or laughing.
  • Fill out the meta-data fields. Facebook has figured out the meta-data thing and prompts you through the video upload with titles and key word fields. Fill them all in and in the post narrative pick out a few key hashtags that are common sensical. I see posts with six or more hashtags – many of which are nonsense. That tactic detracts from the content.
  • Take my workshop. If you’re interested in turning your volunteers or staff into decent social media movie makers, I offer workshops about how to tell your organization or business story in 140 character elevator speech. I also teach practical ways to light a scene, get good sound using inexpensive, everyday items.
facebook creative sources

The Community Boost mobile studio pushed 10 apps to edit images and movies.

What I learned from the Community Boost is that real filmmakers need to differentiate themselves from the short-form shooters who know how to point the camera and record, but make bad video look better with the bells and whistles graphic overlay apps.

At the same time, filmmakers can better promote their work using the short and rough cut format.

Since attending the Community Boost, I’ve done this a couple times and have generated some pretty good organic engagement – a couple thousand views of one and nearing 1,000 views on another.

How that translates into more business is anyone’s guess but the phone keeps ringing and my friends keep making referrals.

The event was set up for lots of time for face-to-face networking, but during the breaks most everyone was sitting in the corners staring at their phones, computers and other screens. The lunch was good, but nearly missed out since I ran into a filmmaker in the hallway after the facebook ads workshop.

Community Boost “Aha” Moment – Campaign 2016

facebook parscale stahl

The Trump presidential campaign successfully employed the same techniques as taught at the Community Boost. The Hillary campaign didn’t and the rest is history.

I had a big “Aha” moment during the facebook ads workshop. If you missed, it was about how to target the ads to particular markets and how different messages and their words, images, colors and other variables can be tweaked to maximize viewership and interaction.

Earlier, I watched a 60 Minute TV newsmagazine segment by Leslie Stahl. She interviewed Donald Trump campaign social media guy Brad Parscale. Apparently, facebook offered to embed staff members into the campaign organizations who advised about how to maximize use of facebook ads.

Parscale explained how they decided to focus on 3,000 voters in Wisconsin which ended up turning the course of the election. The Trump campaign decided to try out the facebook offer. The Hillary campaign didn’t and the rest is history.

Those of us in the Community Boost workshop learned in 30 minutes what was taught during the 2016 presidential election. Facebook ads, with practice, can be a very effective way to micro-target market and maximize advertising budgets.

I get chided by friends about why I spend so much time on my facebook account and pages that I manage. I’d say three quarters of my business business leads come as a result of my presence on facebook. “If I didn’t make money from facebook, I wouldn’t waste my time there,” I tell them.

I still don’t understand the psychology behind facebook and why people respond, but then again, it really doesn’t matter.

The Life and Death of American Journalism: The Media Revolution That Will Begin the World Again

The University of Denver Department of Media, Film & Journalism Studies and the Digital Media Studies program present Robert McChesney and John Nichols, authors of The Life and Death of American Journalism: The Media Revolution That Will Begin the World Again, speak about their vision of the future of journalism and of public life.

Monday, April 26, 10:00 – 11:15 a.m.
University of Denver Campus, Ritchie Center Gottesfeld Room*

Robert McChesney is the author/editor of 16 books. He holds an endowed professorship in communication studies at the University of Illinois. John Nichols is a Washington correspondent for The Nation and is one of America’s leading progressive authors and political journalists. Both are founders of Free Press, the leading media reform organization and creators of the National Media Reform Conference.

This event is free and open to the public.
*The Ritchie Center is located Southwest of I-25 and University Blvd. Short-term parking is available around the building. The RTD Lightrail-University Blvd. station is across the street.

For additional information: visit http://www.du.edu/ahss/schools/mfjs/news/Future_of_Journalism.html